Mary Barbour ( Rough; 20 February 1875 – 2 April 1958) was a Scotland Activism, local councillor, bailie and magistrate. Barbour was closely associated with the Red Clydeside movement in the early 20th century and especially for her role as the main organiser of the women of Govan who took part in the rent strikes of 1915.Audrey Canning, ‘Barbour , Mary (1875–1958)’, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, May 2006 accessed 14 Feb 2014 The protesters became known as "Mrs Barbour's Army". She was also a founder of the Women's Peace Crusade. She stood as a Labour candidate and was elected to Glasgow Town Council in 1920, representing the Fairfield ward in Govan. She was one of the first female councillors in the city. She was also one of the first female Bailie of Glasgow Corporation. She advocated for the provision of women's and children's health and welfare services.
On her 74th birthday, there was a special tribute to Barbour on the front page of The Govan Press newspaper. Recognition of the impact of her activism is still evident in Govan and across Glasgow today. There is a statue of her at Govan Cross. Murals depicting her with Isabella Elder, and reimagining her as a modern day campaigner have been commissioned in Govan. She is also included in the Clutha Bar mural.
She is remembered in popular culture, in the song Mrs Barbour's Army by Alistair Hulett and the play Mrs Barbour's Daughters by A.J. Taudevin. Barbour was the subject of one of the Not Forgotten series of documentaries on Channel Four in 2007. In 2012 Woman's Hour ran a profile about Barbour following the writing of a poem about her by Christine Finn for an exhibition at the National Museum of Scotland.
In 1933, Barbour moved to a council house at 34 Cromdale Street in Drumoyne, Glasgow, where she lived until her death.Glasgow Electoral Registers, 1857-1962. One year after she was widowed, Barbour died at age 83 in the Southern General Hospital, Glasgow. Her funeral was held at Craigton Cremation in Cardonald, near Govan.
The WPC campaigned throughout June and July 1916 for a negotiated settlement to World War I. Barbour and the others organised this predominately through open air meetings in Glasgow, Clydeside and Edinburgh. The possibility of a negotiated peace settlement became less likely with the formation of a new coalition government in December 1916, led by Lloyd George.
Both the Russian Revolution and the Irish Easter Rising provided a catalyst for renewed peace activism in Scotland, including the work of the WPC. The 1917 annual May Day celebration in Glasgow Green brought together 70,000 people. Women peace activists, including Barbour, Dollan and Mary Burns Laird, were prominent among the speakers. This type of activity inspired the re-launch of the Women's Peace Crusade in July 1917, on Glasgow Green with 10,000 people taking part. Other branches of the WPC were then established throughout Scotland, England and South Wales. Their campaign continued until the end of World War I.
From 1924–27 Barbour served as one of Glasgow Corporation's first woman , alongside Mary Bell. Barbour was appointed as one of the first woman magistrates in Glasgow. Barbour became a Justice of the Peace for the City of Glasgow in January 1928.
In November 1926, Barbour attended the opening of the West Govan Child Welfare Clinic. This building, at 20 Arklet Street, Govan, remains in use by NHS Greater Glasgow and Clyde as Elderpark Clinic.
During her tenure as a councillor and Bailie, Barbour worked relentlessly on behalf of the working class people of her constituency, serving on numerous committees covering the provision of health and welfare services, and even after her retirement in 1931, Barbour remained involved in this area.
Chris Hannan's play Elizabeth Gordon Quinn was first performed at the Traverse Theatre, Edinburgh on 29 June 1985. It was directed by Steven Unwin. The play is set during the rent strike in Glasgow, 1915. Although Barbour does not feature as a character, the play reproduces a famous Barbour incident from the rent strike. The most important thing in the Quinn household is the piano. In Part One Scene Two, the piano is sequestrated by sheriff officers in lieu of owed rent. The Quinns, at this point, are not rent-strikers but are instead simply unable to pay their rent because of their poverty. In Part One, Scene Four William Quinn (Elizabeth's husband) narrates how he, aided by fifty women rent-strikers, and with the assistance of shipyard workers simply walked into the factor's office and asked for it to be returned.
Helen Crawfurd in her unpublished memoir recounts how during the rent-strike factors would try to collect the rental increases by resorting to the blackmail of social humiliation. The ploy was to dupe individual household tenants into believing that everyone else in the close had paid up. Upon one of these occasions Barbour drafted in men from Govan's shipyards, led them to the factor's office and demanded the amount of the increase be returned. 'Faced with thousands of black-faced workers the factor handed over the money' Crawfurd recalls.
The song Mrs Barbour's Army by Alistair Hulett is about Mary Barbour's organisation of the 1915 rent strike.Nick Martin, "Interview with Alistair Hulett 1 April 2002" A song was also written about Mary Barbour by Glasgow singer/songwriter Lainey Dempsey.
Barbour was the subject of one of the Not Forgotten series of documentaries on Channel Four in 2007. In 2012 the BBC Radio 4 programme Woman's Hour ran a profile about Mary Barbour following the writing of a poem about her by Christine Finn for an exhibition at the National Museum of Scotland. The poem was called Mary Barbour's Rattle and can be viewed on the Museum's website.
Mrs Barbour's Daughters is a play by A.J. Taudevin.
The original cast included; Mary-Anna Hepburn played Grace, Gail Watson played Joan and Libby McArthur Mrs Barbour. The director was Emma Callander assisted by Andy McNamee.
Mary Barbour was also the inspiration behind the character of Agnes Calder in J David Simons' novel The Liberation of Celia Kahn (Five Leaves 2011, re-printed Saraband 2014). Also featured in the novel are the Glasgow women's involvement in the Rent Strikes and the events leading up to the foundation of the first birth control clinic in Govan, Glasgow.
Special tribute in "The Govan Press" newspaper
In honour of Mary Barbour's 74th birthday, the local newspaper devoted much of its front page to a birthday celebration held in her honour in the Engineers' Hall, Govan. The article recounted her activism, with many of her former associates in attendance. The "bumper birthday party" as the newspaper styled it, was organised by the South Govan Women's Housing Association, of which Barbour was the founder and Honorary President. Bailie Jack Davis from the City Council not only highlighted Barbour's personal achievements, but told his audience how much she had inspired other women by her leadership.
Although having secured about £56,000 through public donations, approximately half of the funding needed to build the statue, the RMBA's application to Creative Scotland was rejected in November 2015 based on an apparent lack of community engagement. In order to meet the shortfall and raise the money to complete the project, the RMBA planned several events including a gala concert to be held in the Old Fruitmarket in Glasgow. The statue was completed in 2017 and unveiled in March 2018.
A mural of Mary Barbour and Isabella Elder was installed at Crossloan Road, Glasgow in 2023. It was commissioned by Yardworks and created by Protests and Suffragettes.
A mural by street artist Jeks reimagining Mary Barbour as a modern-day campaigner was commissioned by the Linthouse Housing Association and was painted on a gable end in Govan Road, Glasgow in 2025.
Renfrewshire Council also agreed to establish and fund a Mary Barbour Prize to be awarded annually to a school pupil at Kilbarchan Primary School.
The text of the plaque describes Barbour as a "Social Reformer, Rent Strike Leader, Women's Peace Crusader and Pioneering Woman Councillor", and incorporates a quote from William Gallacher's book 'Revolt on the Clyde
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